A peculiarly shaped, round lamp with tall legs adorned with simple, bamboo accents and made of a delicate shoji paper that softly diffuses light. Whether prominently placed or out of the way, this piece is sure to set an atmosphere.
W 53 x H 123cm
Delicate Shoji Paper with Bamboo Ribbing
Isamu Noguchi (1904–1988) was one of the twentieth century’s most important and critically acclaimed sculptors. Through a lifetime of artistic experimentation, he created sculptures, gardens, furniture and lighting designs, ceramics, architecture, and set designs. His work, at once subtle and bold, traditional and modern, set a new standard for the reintegration of the arts.
Noguchi, an internationalist, traveled extensively throughout his life. (In his later years he maintained studios both in Japan and New York.) He discovered the impact of large-scale public works in Mexico, earthy ceramics and tranquil gardens in Japan.
In 1951 Isamu Noguchi visited the town of Gifu, Japan, known for its manufacture of lanterns and umbrellas from mulberry bark paper and bamboo. Noguchi designed the first of his lamps that would be produced by the traditional Gifu methods of construction. He called these works Akari, a term meaning light as illumination, but also implying the idea of weightlessness.
The fabrication of Akari in Japan at Ozeki & Co. since 1951 follows the traditional methods for Japanese Gifu lanterns. Each Akari is handcrafted beginning with the making of washi paper from the inner bark of the mulberry tree. Bamboo ribbing is stretched across sculptural molded wood forms. The washi paper is cut into strips and glued onto both sides of the framework. Once the glue has dried and the shape is set, the internal wooden form is disassembled and removed. The outcome is a resilient paper form, which can be collapsed and packed flat for shipping.
With the warm glow of light cast through handmade paper on a bamboo frame, Isamu Noguchi utilized traditional Japanese materials to bring modern design to the home. Like the beauty of falling leaves and the cherry blossom, Noguchi wrote, Akari are “poetic, ephemeral, and tentative.” And he was fond of saying, “All that you require to start a home are a room, a tatami, and Akari.”